翻訳と辞書
Words near each other
・ Richard Nash (MP died 1395)
・ Richard Nass
・ Richard Nathan
・ Richard Nauyokas
・ Richard Naylor
・ Richard Ndambu Wolang
・ Richard Ndassa
・ Richard Nduhura
・ Richard Morton
・ Richard Morton (basketball)
・ Richard Morton (physician)
・ Richard Moryson
・ Richard Moser
・ Richard Mosley
・ Richard Moss
Richard Mosse
・ Richard Moth
・ Richard Mott
・ Richard Mott (statistician)
・ Richard Mottram
・ Richard Mounce
・ Richard Mounteney
・ Richard Mourdock
・ Richard Mouw
・ Richard Move
・ Richard Mowat
・ Richard Mowry
・ Richard Moynan
・ Richard Mpong
・ Richard Mroz


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Richard Mosse : ウィキペディア英語版
Richard Mosse

Richard Mosse (born Kilkenny, Ireland, 1980) is an Irish conceptual documentary photographer. He is best known for his photographs of the war in the Eastern Congo using colour infrared film intended to create a new perspective on conflict. Aperture has published two books of his work and he won the Deutsche Börse Photography Prize in 2014. Mosse is a nominee member of Magnum Photos.
==Life and work==
Mosse lives and works in New York and Berlin.〔〔http://www.carliergebauer.com/artists/richard_mosse/cv〕
His received a BA in English literature from King's College London in 2001, an MRes in cultural studies from the London Consortium in 2003, a postgraduate diploma in fine art from Goldsmiths, University of London in 2005 and a photography MFA from Yale School of Art in 2008.
He has worked in Iran, Pakistan, Haiti and the former Yugoslavia.〔 He is best known for his infrared images from the Democratic Republic of the Congo (DRC).〔 For his infrared photographs he used a large format camera and the now-discontinued Kodak Aerochrome film. Aerochrome is a false-color infrared film originally intended for aerial vegetation surveys and for military reconnaissance, such as to identify camouflaged targets. It registers a spectrum of infrared light invisible to the human eye, rendering the green landscape and soldiers' uniforms in vivid hues of lavender, crimson and hot pink. Critic Sean O'Hagan, writing in ''The Guardian'', said "His images from there often seem to skirt the real and the fictional, simply though () their heightened and unreal colours. He has made the familiar seem strange and the real seem heightened to the point of absurdity. This is war reportage – but not as we know it."〔 Willy Staley, writing in the ''New York Times Magazine'', said "Mosse highlights the eastern Congo's natural bounty while acknowledging both the medium's origins and, he points out, the West’s tendency to see in the Congo only darkness and insanity."
In June 2015 Mosse became a nominee member of Magnum Photos.〔

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